Ward Kelley . . .

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Ward Kelley

Unprepared, James

The obsession of my nights is crucified on my eyelids
like a hang-glider sailing off on a thermal above the maroon desert,
similar to drifting any of my desires around a crowded room
to see if I can attract a woman simply by outrageous
but unpronounced temptations . . . something so primal
only a panther might think to commit them.

This obsession gives me a certain appearance,
a heavy-lidded lust, a whisper of lunacy;
I can make a cigarette appear the same way as my eyes, you know,
and this is the true skill with my mouth -- bending inanimate objects
to make them symbols of my own disregard.

Really, it’s easier to bend people . . .
especially women who already aspire towards
readily malleable shapes, something like the way chrome
bumpers wrap around throbbing engines . . . to mimic
sunglasses which encompass gum-chewing blonde, male heads
ready to gnash down on silver breasts as if these foldable
women could actually show us the way out of ourselves.

Throb . . . this is what the throbbing is all about . . .
a revelation of the way out, and all the bending I would think to do
is simply aimed at attaining an adequate way to escape,
but just as I achieved the proper rejection, an abrupt car ended my life . . .
and now I weary the feeling that fate or whimsy wasted me.

James Dean (1931-1955), American actor, created an image of rebellion that other generations of actors are still trying to emulate. The New York Times (March 10, 1955) described Dean’s acting as, "He scuffs his feet, he whirls, he pouts, he sputters, he leans against walls, he rolls his eyes, he swallows his words, he ambles slack-kneed . . ." Finishing only three films, Dean died at an intersection on California Highway 46, killed in a car accident as he drove his Porsche Spyder.

 

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